Endgame Painting

The Journey Continues On like Magic.

There comes a time that the finishing process begins for each of the boards that Anders has started over the years. Currently there are less than 100 such art works.
This group began in 1988 and progressed through 1995. They are the first paintings that applied texture pressure upon texture pressure to create interlocking patterns.
Another first was the textures were applied in large shapes. The results shimmer, much like music, in the power of contrary motions. Here are the four boards coming home to the finish line, it is not a race nor a destination, it is simply what has happened for multiple reasons.

Rooted in early Modern Art.

Whale and Fish, 24 x 48 inches, promises promise, acrylics.

Texture, Movement, Statement, Shadow and Highlights.

Tilt is not certain of its proper orientation, 24 x 48 inches, acrylics.

Simple in its Complexity.

Balance Two is another work unsure of up and down, 24 x 48 inches, acrylics.

Shaping, Coloring, Advancing and Retreating.

One of 16 paintings, Profiles, 24 x 48 inches, is nearing completion, acrylics.

The Endgame Begins

Since 1995 these paintings have been stored in a dry, cool dark space. They have always been in my mind. Now they are moving onto the finishing table. The process begins with a detailed photo study of each painting before I gently sand down their protective finish coats, the goal is to break the coat and not reach the painting surface.

Looking Through the Surface at the Future

These details allow Anders to study the painting area by area.

Where to Start and Why?

The strength of these works are texture, line and composition.

How to Enhance Colors and Mood?

Color strategy becomes a focus.

The Long Awaited Moment has Arrived.

The photographic details of the painting gives Anders the ability to study sections as if they were paintings unto themselves. These details may also be used in an animated film of the painting as it progresses. It is quickly apparent that the textures are unique and enticing. Now, the task at hand is to inventory the painting’s strengths and weaknesses. The goal is always to enhance original intention with the skills and life experience gained since last working on this piece. Another important goal is not to over paint an area that is for all practical purposes complete. Taking time looking, understanding and exploring will pay off. Anders will think back to the moments these paintings began. This series came at a time when he was spending time in desert and semi-arid landscapes.

After careful consideration the determined weakness is the lack of shadow and highlight. This is where the next steps will begin. Pop shapes, contrast, recede, advance and establish dark points for visual movement. Bring the paintings home Anders, bring the painting home.

6-15-10, The first of two final passes.

These four paintings have had their first protective work coat applied and photographed before being sanded for the last time. These paintings are being finished as the world understands the consequences of the Gulf of Mexico oil spill.
This has influenced the reading of these works, and their names.

Whales When the Ocean Left … 6-15-10, nearing completion.

Looking Into the Future … 6-15-10, nearing completion.

The depiction of a bird in a complex setting reflects wildlife's vulnerabilities.

Two Birds … 6-15-10, nearing completion.

Two birds has switched its orientation 180 degrees.

Looking at the Past … 6-15-10, nearing completion.

The figure silhouette becomes the face of a bird.

Where to now?

The next pass will focus on highlights and shadows. Compositional threads and pathways will be enhanced, added and emphasized. These paintings are not value judgments of the oil disaster. They recognize wildlife as spectators effected by the interactions of other species. At any moment, a toll may ring out across the habitats. Some will pay a mortal price and others will watch. And history will have another footnote and reference point in time.

And then they were done…

Two Birds … completed 6-25-10.

A simple painting, a simple song, 24 x 48 inches, acrylics.

Whales When the Oceans Left … completed 6-25-10.

This work pays homage to the modern art movement, 24 x 48 inches, acrylics.

Looking Through the Past … completed 6-25-10.

Started in 1983, this 24 x 48 inch board, has seen moments of action and sleep, acrylics.

Looking Behind the Future … completed 7-01-10.

A four part salute to interconnected species is complete, 24 x 48 inches, acrylics.

©2010 Anders Tomlinson, all rights reserved.

The Process Begins

Starting a new painting is a moment worth living. The only thing better for Anders is the moment of finishing a painting.

The great majority of paintings have started on panels, there is something about the surface’s initial smoothness and durability. Anders has two approaches. One is to prime the masonite panel with an ocher tinted special primer for smooth surfaces. The other way is use the primer as a painting – compositional – image devise, including creating texture.

6-01... This 14 x 11 inch canvas shows the ochre primer and first gestures.


First of the Sunlight series finished, and detail, 14 x 11 inches, acrylics.

Does Anders picture what it will be?… No…

Anders likes to avoid brushes on his beginnings. He uses mono-printing and various application techniques that more mimic nature than the hand of Anders. A painting does not start with a preconceived concept. It is a process of discovery and the willingness to accept what has transpired. These starts lend themselves to the school of surrealism, to create from a place other than the conscious mind. Here is a sense of liberty, individualism and creation.

6-01... These works start with monoprinting on white primed 20 x 16 inches, canvas


6-15... These paintings, now part of the Sunlight series, continue.

Does Anders understand when it is?… Yes…

As the paint is applied thoughts turn to concepts. The paintings above will be part of Morning – Kitchen series, 26 in all. The sun will be a major element. They will have painted borders. And they will be completed quickly. All of this is realized in the initial seconds of starting. And so it will be.

6-01... These 14 x 11 inch panels were painted black as the primer surface.

Mystery drives the journey… unfolding questions-choices are each a destination…

Working on black backgrounds is dramatic. Each of these starts have less than a minute accumulated working time. Each has a series of mono – printed elements that make up the image. The actual image area will be on average 7 x 5 inches.

6-01... Details from each of the panels.

And the detail begins to shape movement and meaning…

6-15... These paintings will have another pass before completion.

Each becomes a Journey and a Song…

6-25... There will be one more pass on these maturing Urboriginals.

And then they are Done…

Urborginal Horizon … completed 7-01-10.

There are sounds that are not to be heard, 14 x 11 inches, and detail, acrylics.

Urboriginal Food Chain … completed 7-01-10.

There are feelings that should not be shared, 14 x 11 inches, and detail, acrylics.

Urboriginal Social Mixer … completed 7-01-10.

There are aromas that will not be inhaled, 14 x 11 inches, and detail, acrylics.

To be continued, that is the nature of Anders painting.

©2010 Anders Tomlinson, all rights reserved.

The First Moments

The goal is to let nature write its own message…

Here are five of six canvases that were started on April 2, 2011. The amount of time spent on these beginnings is less that 30 seconds each. Thirty seconds can be a lifetime for some elements of nature. Here, thirty seconds is an investment in future imagery.

Flowers as a Political Statement … 4-02-11, started

Flowers as a Political Statement, painting by Anders Tomlinson, 24 x 20 inches, acrylics on canvas.  Photos by Anders Tomlinson.

The first pass is fresh and vital, 24 x 20 inches & detail, acrylics-canvas.

Flowers as a Climatic Statement … 4-02-11, started

Flowers as a Climatic Statement, painting by Anders Tomlinson, 24 x 20 inches, acrylics on canvas.  Photos by Anders Tomlinson.

Environmentally related to itself, 24 x 20 inches & detail, acrylics-canvas.

Talking Tablet of Warning … 4-02-11, started

Talking Tablet of Warning, painting by Anders Tomlinson, 20 x 16 inches, acrylics on canvas.  Photos by Anders Tomlinson.

Nature has many ways of creating marks, 20 x 16 inches & detail, acrylics-canvas

Talking Tablet of Hope … 4-02-11, started

Talking Tablet of Hope, painting by Anders Tomlinson, 20 x 16 inches, acrylics on canvas. Photos by Anders Tomlinson.

Start fast, end fast, what a plan, 20 x 16 inches & detail, acrylics-canvas.

Talking Tablet of Envy … 4-02-11, started

Talking Tablet of Envy, painting by Anders Tomlinson, 20 x 16 inches, acrylics on canvas. Photos by Anders Tomlinson.

The base is set, next comes clarification, 20 x 16 inches & detail, acrylic-canvas.

Yellow ochre is the foundation-fundamental color for these canvases. The paintings will growwithin an earth toned range. There will several weeks of looking before the next application of paint, another thirty second burst. It is not about time, it is about nature.

Flowers as a Climatic Statement … 5-9-11, in progress

Flowers as a Climatic Statement, painting by Anders Tomlinson, 20 x 16 inches, acrylics on canvas. Photos by Anders Tomlinson

Environmentally related to itself, 24 x 20 inches, & detail, acrylics-canvas.

Talking Tablet of Hope … 5-9-11, in progress

Talking Tablet of Hope, painting by Anders Tomlinson, 20 x 16 inches, acrylics on canvas. Photos by Anders Tomlinson

Start fast, end fast, what a plan, 20 x 16 inches, & detail, acrylics-canvas.

Evaporating Conclusions and Eroding Delusions … 5-9-11, in progress

Evaporating Conclusion & Eroding Delusions, painting by Anders Tomlinson, 14 x 11 inches, acrylics on canvas. Photos by Anders Tomlinson

Messages come and messages go, 14 x 11 inches, & detail, acrylics-canvas.

Talking Tablet of Hope … completed 5-17-11.

Talking Tablet of Hope, painting by Anders Tomlinson, 20 x 16 inches, acrylics on canvas. Photos by Anders Tomlinson

Start fast, end fast, what a plan, 20 x 16 inches, & detail, acrylics-canvas.

Talking Tablet of Warning … completed 5-17-11.

Talking Tablet of Warning, painting by Anders Tomlinson, 20 x 16 inches, acrylics on canvas. Photos by Anders Tomlinson

Nature has many ways of creating marks, 20 x 16 inches, & detail, acrylics-canva

Talking Tablet of Envy … completed 5-16-11.

Talking Tablet of Envy, painting by Anders Tomlinson, 20 x 16 inches, acrylics on canvas. Photos by Anders Tomlinson

Rules are rules, broken or unbroken, 14 x 11 inches, & detail, acrylics-canvas.

Evaporating Conclusions and Eroding Delusions … completed 5-15-11.

Evaporating Conclusion & Eroding Delusions, painting by Anders Tomlinson, 14 x 11 inches, acrylics on canvas. Photos by Anders Tomlinson

Messages come and messages go, 14 x 11 inches, & detail, acrylics-canvas.

© 2011 Anders Tomlinson, all rights reserved.